Cinema United in the News: Exhibitors Weigh In On Industry’s Surge

As 2024 begins to wind down, the exhibition industry is surging in a major way. Movie theatres around the world are packed with enthusiastic movie-goers, and the industry is showing yet again how culturally significant it is.

Below, we’ve included some of the press coverage focused on how exhibitors are being creative and innovative in order to give consumers a great experience.

The Thanksgiving stretch is delivering an unprecedented estimated $422M at the domestic box office.

AMC Theatres CEO Adam Aron says that this weekend is “a national phenomenon” when it comes to moviegoing.

That Wednesday through Sunday tally for all movies breaks the previous Thanksgiving record for all titles from 2018 when Ralph Breaks the Internet drove the marketplace to a $315.6M total.

Distribution sources always felt we were in for an enormous moviegoing rebound in the post Covid-post strikes era fueled by the massive want-to-see of Disney’s Moana 2, and the second weekends of Universal’s Wicked and Paramount’s Gladiator 2. For those keeping track, the 10-day box office since Friday, Nov. 22 when Wicked and Gladiator 2 opened is bound to gross a huge $681.5M.

Bob Bagby, the chief executive officer the B&B Theatres chain and chairman of the National Association of Theatre Owners, said in an interview that a young family friend pledged to see Wicked in cinemas at least twice more.

“Our lobbies were full of guests in pink and green and of course a few dressed like gladiators, and this is just the beginning of a fantastic holiday season,” Bagby said.

FULL ARTICLE

Are ‘Wicked’ and ‘Gladiator II’ the next ‘Barbenheimer’? How movie theaters are making ‘Glicked’ a can’t-miss event.

Calling this movie pairing “the perfect storm to bring everyone out,” Mike Bowers, president and CEO of Harkins Theatres, told Yahoo Entertainment that the chain has been “eventizing movies” since its founding in 1933 — and plans to continue with “Glicked.” “Whether it’s specialty cocktails or, of course, the famous popcorn vessels and lobby interactions and such for the guests,” he explained, “it’s beyond going to the movies and going home. They get an opportunity for an Instagram moment and something that’s shareable.”

FULL ARTICLE

‘Wicked’ Seeing $117M Opening, ‘Gladiator II’ Still Conquering $60M — Saturday AM Box Office Update

Exhibitors are upping the out-of-home experience. B&B Theatres has Roman guards tearing tickets and serving Strength & Honor cocktails in celebration of Gladiator IIAlamo Drafthouse Cinema is selling “Defying Gravi-Tea”, Witch’s Brew and throwing Emerald City soirees. Marcus Theatres has character appearances by Elphaba and Glinda, and pink and green ICEE’s.

FULL ARTICLE

‘Wicked’ and ‘Gladiator’ set the stage for gravity-defying box office weekend

Exhibitors are joining in on the fun too. Look Cinemas — a dine-in theater chain with locations in Downey, Glendale, Monrovia and Redlands — has curated a special “Wickedator” menu with themed food and beverage items ranging from Arena Nachos (“Gladiator”) to Emerald City Sours (“Wicked”). James Meredith, head of marketing and revenue at Look Cinemas, said the company has been preparing for this weekend for months, reserving premium screening rooms for both films, hosting advance screenings as early as Wednesday and expanding its showtimes and hours of operation to meet consumer demand reminiscent of the “Barbenheimer” craze.

“Our guests want to come in and escape for a while and have a big event or celebration around some of these popular movies,” Meredith said. “These types of movies … remind customers of how special the moviegoing experience is.”

FULL ARTICLE

Last Chance for Entries: ICTA’s Fourth Annual North America Cinema Awards (NACA)

There’s Still Time to Nominate a Theatre for the North American Cinema Awards. The submission deadline has been extended to November 27.

The International Cinema Technology Association (‘ICTA’), the leading global network of professionals in the motion picture industry, is now accepting award nominations for its Fourth Annual North America Cinema Awards (NACA) presented in partnership with Celluloid Junkie.

The NACA Awards acknowledge theatrical motion picture exhibition organizations that have demonstrated industry-changing innovation and shown a continual dedication to excellence in delivering the best possible moviegoing experience. ICTA created the NACA Awards to recognize and showcase the remarkable technological innovations within the cinema industry.

To be eligible for the 2024 awards, nominee projects must be completed between November 1, 2023 and October 31, 2024. All nominations must be received by ICTA by midnight Pacific on November 27, 2024. Winners will be notified in early December.

The prestigious awards will be celebrated at the 2025 ICTA Los Angeles Seminar Series on Tuesday, January 14 at a Gala Awards Dinner. Winners must attend in person and will be celebrated at the event.

Projects should embrace the showmanship of going to the movies and create an elevated guest experience through the design and use of technology.

The three categories are:

Best New Build Cinema
This category is for new construction of a cinema completed in North America. . Please include owner/operator, architect/engineer, contractor and technology vendors and installers. Recognized for offering outstanding cinematic experiences thanks to the implementation of cutting-edge cinema technology and innovations.

Best Cinema Refurbishment
This category includes expansions and renovations of cinemas. An existing cinema site or screening room that has been significantly enhanced or altered.

Best Use of Technology
This category includes new technology used in a cinema. Technology could be within the auditorium, projection booth or elsewhere in the theatre including lobby, ticketing and other spaces. Technology includes software, hardware, physical elements and operations within the venue.

New Jersey’s Cranford Theater Touts Filming in NJ, Moviegoing Experience with Private Screening

(left to right) David Schoner Jr., Associate Director of The NJ Motion Picture and Television Commission; Janice Kovach, NJ Motion Picture and Television Commissioner/Mayor of Clinton, NJ; Kristen Mider, Cranford DMC Chairwoman; Farrah Way, Daughter of Lt. Governor Tahesha Way; Doreen Sayegh, President, JDS Entertainment, LLC; Brian Andrews, Cranford’s Mayor; Baylen Bielitz, Actor; Tahesha Way, NJ Lieutenant Governor/Secretary of State; Kathleen Miller-Prunty, Cranford Deputy Mayor/DMC Liaison; Lou DiGioia, Cinema United’s COO; Steve Oliviera, DMC Board Member; Paul Gallo, Cranford Councilman

On October 17th, The Cranford Theater held a private special screening of Mothers’ Instinct. Lou DiGioia, Cinema United’s Chief Operating Officer, attended the event. The evening highlighted the benefits of New Jersey’s tax incentive program and the current filmmaking surge in the state, as well as the importance of the moviegoing experience in theatres. Mothers’ Instinct was primarily filmed in Cranford and played at the Cranford Theater in July.

Cinema United Joins State of the Industry Panel at 2024 Middleburg Film Festival

(left to right) Ted Hope, Ann Hornaday, Ron Yerxa, Susan Fox, Albert Berger, Phil Contrino, Karyn Temple, Derval Whelan

Cinema United’s Director of Media & Research Phil Contrino joined moderator Ann Hornaday and an esteemed panel to discuss the future of cinema at the 2024 Middleburg Film Festival. The panelists were:

Albert Berger and Ron Yerxa (Producers, NebraskaLittle Miss Sunshine, Election)

Susan Fox (Senior VP, Government Relations, The Walt Disney Company) 

Ted Hope (Producer, former head of Amazon Original Movies)

Karyn Temple (Senior Executive VP & Global General Counsel, Motion Picture Association) 

Derval Whelan (Head of Distribution, VP, Sales, Searchlight Pictures)

The wide-ranging conversation dealt with many topics including how important low-to-mid budget films are to movie theatres, the perception of movie theatres among consumers, and the opportunities and challenges that filmmakers and distributors are encountering.

The Middleburg Film Festival, founded in 2013, offers a carefully curated selection of narrative and documentary films screen in intimate theatre environments, followed by fascinating conversations with world-renowned filmmakers, actors, and other special guests. The films include festival favorites, world and regional premieres, first-class foreign films, and Oscar contenders.

At the 2024 festival, Conclave and September 5 shared the Audience Award.

Cinema United of PA Holds 2024 Annual Meeting in York at R/C Queensgate

(left to right) Cinema United’s Chief of Staff Amanda Martin, Cinema United of PA President Gina Taffet, and Frank Moses of Golden Star Cinemas

Cinema United of Pennsylvania recently held its annual in-person meeting at the stunning R/C Queensgate in York, PA. Under the leadership of President Gina Taffet, members from across the state gathered for an enriching day filled with legislative and regulatory updates, insightful presentations, and valuable networking opportunities.

One of the highlights of the event was a presentation by Drew Sheaffer of Penn Cinema, who showcased the innovative marketing initiatives that engage their local communities. He shared details about the exciting events they organize around major movie releases, which not only draw in audiences but also strengthen their ties to the community.

Cinema United was honored to connect with such dedicated exhibitors from Pennsylvania, and they look forward to building on these relationships at future meetings. The collective enthusiasm and commitment to enhancing the cinema experience in the state truly made this gathering memorable.

National Association of Theatre Owners Appoints Andrew Stewart As Chief Communications Officer

Photo by Jonny B. Wooten

LOS ANGELES, CA – October 21, 2024 – The National Association of Theatre Owners (Cinema United) announced today it has named seasoned communications professional, strategist and former award-winning journalist Andrew Stewart as Chief Communications Officer. In this role, Stewart will lead all efforts for the association’s communications and media relations strategy, continuing to unite and promote the cinema industry as the leading out-of-home experience for current and future generations.

As a key member of Cinema United’s leadership team, based in Los Angeles and reporting directly to President & CEO Michael O’Leary, Stewart will lead a comprehensive and aggressive communications strategy to raise awareness of exhibition’s critical role in the entertainment industry’s success and help map its innovative future, such as promoting the results of exhibition’s recent $2.2 billion commitment to modernize and upgrade theatres of all sizes over the next three years. An immediate priority for Stewart will involve CinemaCon, Cinema United’s cornerstone annual event and the world’s premier exhibition convention held at Caesars Palace each spring, to amplify its impact and increase visibility with members, key stakeholders from across the industry, the media, and the general public. He will also work in close partnership with the Cinema Foundation on efforts to promote moviegoing. 

“We were so impressed with Andrew’s drive and strategic know-how in navigating today’s ever-evolving media landscape,” O’Leary said. “Andrew will be invaluable to ensuring that exhibition is a part of the on-going conversation about the future of filmed entertainment. Not to mention, it’s clear he has a deep passion for going to the theatre, with a desire to see the business of moviegoing not only succeed, but innovate and grow.”

“For me, storytelling is at the heart of communications, so the opportunity to join a venerable organization such as Cinema United, to tell their story on behalf of the exhibition community, is nothing short of perfect,” Stewart said. “I couldn’t be more excited to roll up my sleeves and roll back the curtain in telling this next chapter in the theatrical exhibition story.” 

Most recently, Stewart served as Vice President at 42West, one of the leading entertainment PR agencies, where he led the Los Angeles-based team for the company’s Strategic Communications Division, working on a wide range of clientele across industries, including entertainment, gaming, technology, social impact, as well as crisis communications and issues management. Prior to that, he served in various communications roles for Participant and IMAX Corporation. During his time at Participant, he worked on campaigns for such box office hits as “Wonder,” “The Post,” “RBG” and “Green Book,” while at IMAX, he was part of the team for such record-setting IMAX releases as “Star Wars: The Force Awakens,” “Jurassic World,” the “Fast and Furious” franchise, among others. Stewart began his career as an entertainment journalist for Variety, where he reported on box office, film distribution, digital and on-demand platforms, as well as independent film and theatrical exhibition. As a journalist, he has been honored multiple times by the Southern California Journalism Awards. Prior to being a Variety film reporter, Stewart worked as an online editor for the LA-based trade publication. Stewart comes from the Midwest, where he received bachelor degrees in both journalism (news-editorial) and film studies from the University of Nebraska – Lincoln.

###

ABOUT Cinema United 

The National Association of Theatre Owners is the largest exhibition trade organization in the world, representing more than 32,000 movie screens in all 50 states, and more than 34,000 additional screens in 89 countries worldwide. For more info, visit www.theatreowners.org.

2024 Fall Summit

Cinema United’s 2024 Fall Summit Conveys Optimism For A Bright Future
By Michael O’Leary
President & CEO, National Association of Theatre Owners

The 2024 Fall Summit brought together more than 300 exhibitors in Los Angeles from September 23-26 for a week full of meetings, presentations, panel discussions, screenings, and networking events that were focused on the future of our great industry

We came to Los Angeles with our vision clearly set on a bright future for exhibition and on fans who love movies on the big screen. The Summit did not disappoint as the optimism for the future was palpable. As the box office continues to rebound, exhibitors across the country continue to create great experiences for moviegoers to enjoy. We have the wind at our backs for the first time in a while. 

I want to thank all our members who volunteer their time to support Cinema United, The Cinema Foundation, and CinemaCon. You take time out of your busy schedules to help make sure this great industry thrives. We could not make the Fall Summit – or anything we do – a success without you.

The passion and innovative ideas that members conveyed in 1-on-1 conversations and on panels are truly inspiring. This industry is incredibly creative and dynamic, and the entire team at Cinema United is committed to promoting you each day. Our “Investing in Ourselves” panel—moderated by B&B’s Brock Bagby and featuring Salt Lake Film Society’s Tori A. Baker, Cinema Lab’s Brandon Jones, Emagine Entertainment’s Ally Smith—provided many examples of creativity in our space.

A vibrant future requires us to be clear about the challenges, and to be intentional in how we address them. This industry works best when we have open lines of communication with our partners in distribution. I applaud Jeff Goldstein and Andrew Cripps of Warner Bros for their candor when answering important questions about the future of our industry. Jeff and Andrew are true champions of the theatrical experience. On a separate panel, NEON’s Tom Quinn, Focus Features’ Peter Kujawski, and Searchlight’s Matthew Greenfield addressed the state of mid-budget and specialty films and how confident they are in the future of this important part of the theatrical ecosystem. We need all aspects of distribution to excel! 

Our film screenings at the Summit showed just how diverse and strong the upcoming slate is: Sony’s frenzied and fun Saturday Night, Paramount’s action-packed Gladiator II, and Universal’s highly anticipated new musical Wicked. The commitment from distribution to releasing films for theatre continues to be strong and it on full display during the week. I know that members felt energized by all three films.

During our visit to SONY, it was an honor to welcome acclaimed filmmaker Jason Reitman to the Cinema United family and to the Independent Theatre Owners Coalition (ITOC). Jason, along with a group of legendary directors including Christopher Nolan and Steven Spielberg, recently purchased the legendary Village Theatre in Westwood. Jason’s passion for the big-screen experience comes through in a big way, and he fits right in among the Cinema United membership. Jason shared a moving story about watching Ghostbusters: Afterlife at CinemaCon with his late father, Ivan Reitman, and how he’ll never forget the crowd’s reaction to a movie he made for his dad. Welcome, Jason, and we all look forward to all the great things in store for the Village Theatre.

For the Cinema United team, the Fall Summit is not just a welcome chance to catch-up with Cinema United members, it also signals the end of the summer movie season, and the time when we turn our focus to thinking about the coming year and how we are going to capitalize on the opportunities before us. As I noted at the Summit, we are at long last in a welcome period of “normalcy.”  For the first time in almost five years, we are not dealing with the impact of outside factors on the marketplace. Rather, we are welcoming an increasing number of movie fans, looking at ways to enhance the experience of all those fans, and showing them a wide range of top-quality movies. In other words, you are getting to be theatre operators once again. The future holds much promise, both for this fall and into 2025. Now is the time for us to leave the pessimism and cynicism of the past to history and move deliberately to define ourselves and our role in the next century of filmed entertainment. Let’s build on the enthusiasm and optimism of the Fall Summit and continue to innovate and show the world that there simply is no other entertainment experience like a movie on a big screen in a theatre full of people.

Jason Reitman Named Newest Member of National Association of Theatre Owners By Cinema United President & CEO Michael O’Leary and Cinema United Chair Bob Bagby at the 2024 Fall Summit

LOS ANGELES (September 24, 2024) — On Monday night, director and Village Theater co-owner Jason Reitman was named the newest member of Cinema United/National Association of Theatre Owners during the opening night festivities of the trade organization’s Fall Summit.  The members-only event brought together more than 325 cinema leaders from around the world, representing hundreds of exhibitors from the largest theater chains to independent theaters, arthouses and drive-ins.

At the Sony Studios opening night presentation on the lot, cinema owners were treated to an exclusive screening of Reitman’s upcoming Sony Pictures release, “Saturday Night”, introduced by Sony Pictures Releasing President Adrian Smith, Cinema United President & CEO Michael O’Leary and Cinema United Chair Bob Bagby. Before the screening, Reitman was named the latest member of Cinema United and Cinema United’s ITOC/Independent Theater Owners Coalition.

“One of the great things about the theatrical industry is that this is a passionate industry full of passionate people,” said O’Leary in presenting Reitman with his membership. “In a lot of places, the theater is the heartbeat of communities across the United States, in Canada and around the world. And nowhere is that more evident than in independent cinema. As the owner of a one-screen theater, you are newest member of our Independent Theatre Owners Coalition (ITOC) and you will be a great addition to both Cinema United and to ITOC.”

“It’s a genuine honor to be part of this organization,” said Reitman. “My father [director Ivan Reitman] loved movie theaters, and cinema was our church. When I was a kid, my father came home one day with a trophy that said Cinema United on it. Many decades later we would make a GHOSTBUSTERS movie together, and we watched that movie together for the first time with an audience at [Cinema United’s convention] CinemaCon. And we went up to Vegas, sat down with so many people and the movie killed. You gave my father and I an extraordinary moment together that evening. I’m sure he’s watching this moment right now, and he’s really proud.”

“I applaud the money you are re-investing into your movie theaters,” continued Reitman. “It’s fantastic. As you think about what you are doing with your theaters,  think not only about the picture, think not only about the sound. Think also about the cultural hub that you are. That’s what we’re doing with the Village. It’s not just a place to go see a movie. We want to build a community hub. I’m so proud to be a member of this organization and thank you for having me.”

Jason Reitman is the latest member of the creative community to become a theater owner.  Actor Patrick Wilson co-owns The Playhouse in New Canaan, CT and director Richard Linklater is the longtime co-founder of the Austin Film Society Cinema, and both are Cinema United members. Other directors who own hometown movie theatres include Kevin Smith (SModCastle Cinemas, Atlantic Highlands, NJ), and Quentin Tarantino (New Beverly, Vista Theatre, Los Angeles).

The National Association of Theatre Owners is the largest exhibition trade organization in the world, representing more than 32,000 movie screens in all 50 states, and more than 34,000 additional screens in 89 countries worldwide.

Theatre Owners To Invest More Than $2.2 Billion In The Cinematic Experience

As the box office surges, the exhibition industry confidently invests in the future

LOS ANGELES, CA – September 19, 2024 – Theatre owners across the United States and Canada today reaffirmed their commitment to providing moviegoers with the memorable entertainment experiences they expect and deserve. The National Association of Theatre Owners (Cinema United), which represents theatre owners around the world, announced that the eight largest theatre chains in the United States and Canada, representing over 21,000 screens and 67% of the box office, will invest more than $2.2 billion to modernize and upgrade theatres of all sizes over the next three years.  Since the inception of exhibition over a century ago, reinvesting in theatres has been a hallmark of the industry. Today’s announcement signals a continuation of that legacy that will benefit moviegoers in communities everywhere.

“There is no question that movie fans of all ages love heading to the local theatre to see great movies on the big screen. But the competition for consumers’ hard-earned dollars is fiercer than ever,” said Cinema United President & CEO Michael O’Leary. “Going to the theatre is an unparalleled entertainment experience, and exhibitors are dedicated to making every visit to their theatres memorable.  This investment reflects that commitment in a tangible way that every moviegoer will see and enjoy.” 

Cinema United projects that the funds will be used on an array of projects to modernize and improve theatres of all sizes.  These updates include adding the latest laser projection technology and immersive sound systems, installing more comfortable seating, enhancing food and beverage offerings, creating family entertainment options such as arcades and bowling, and investing in core site elements like state-of-the-art air conditioning, lighting, signage and carpeting.

“Today’s consumers rightly demand the best possible experience when they visit our theatres.  Operating a theatre today is a capital-intensive operation,” said Cinema United Executive Board Chair and CEO of B&B Theatres, Bob Bagby. “This investment of resources is the next step in our industry’s ongoing commitment to ensuring that going to the theatre remains a unique and special experience for generations to come.”

The investment projections above came from a range of Cinema United members that included national and regional chains. Movie theatres are cornerstones in their local communities, providing first jobs, hosting first dates, offering affordable and accessible entertainment, and attracting consumers to retail and entertainment centers. The eight companies that reported to Cinema United represent over 1,600 site locations and cover all 50 states and Canada: AMC Entertainment Inc., Regal Cinemas, Cinemark USA, Inc., Cineplex, Marcus Theatres Corp., B&B Theatres, Harkins Theatres, and Santikos Entertainment.

Cinema United at TIFF: Celebrating the Theatrical Experience

Cinema United’s The Cinema Foundation hosted a session at the Toronto International Film Festival on Sept. 6 titled “How Theatres are Event-izing the Moviegoing Experience.”  

Moderated by Bryan Braunlich, Executive Director of The Cinema Foundation, the TIFF event was a standing-room-only session, featuring RogerEbert.com film critic Monica Castillo (who is also senior film programmer for the Jacob Burns Film Center in Pleasantville, NY), Sara Moore, the Chief Marketing Officer for Cineplex Entertainment, and Erik Davis, Director of Social Content & Strategy for Fandango. The panelists shared observations, anecdotes and data on how elevated concessions and rewards, community connection, live entertainment, creator engagement, alternative content, must-have merchandise, and memorable in-theatre activations are all contributing to moviegoing enjoyment. Many thanks to the TIFF industry Conference Team, Beth Janson at The Cinema Foundation, and Michelle Saba at Cineplex for their support in putting together a fantastic event.

Cinema United
Privacy Overview

This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.