Press Archives | Cinema United

July 14, 2026

CinemaCon July 2026 Vendor Spotlight: GDC Technology

Interview with GDC Technology America, LLC

Headquarters: Los Angeles, CA

Interviewee: Tony Adamson, Senior Vice President

How would you describe GDC Technology and its role in theatrical exhibition?

GDC Technology is a total digital cinema solutions provider and system integrator. GDC proudly develops, manufactures, and sells a range of cinema media servers suitable for both projectors and LED cinema displays. Our offerings also include reliable content storage systems, high-quality cinema audio processors, and comprehensive cinema enterprise software, such as theatre management and advanced automation systems, all designed to serve the global cinema industry. GDC is a licensee of the DTS Surround and DTS:X with IAB, the object-based immersive sound technology from DTS, Inc., for the development of its media servers and cinema audio processors.

What’s new at your company this year?

We had two major highlights at CinemaCon 2026. First, the world’s first All-in-One Media Server for seamless 2D/3D HDR and HFR playback; used in 70% of LED cinemas worldwide (as of Jan 2026). Second GDC launched its new 64-channel DTS:X for IAB Cinema Processors. It’s pioneering technology for PLF auditoriums, offering moviegoers an immersive, emotionally rich listening experience.

What industry trends are shaping your work right now?

At GDC, our work is shaped by several major industry trends that are transforming the cinema experience. The most exciting trend we’re seeing is the shift towards HDR LED screens. It’s an inspiring development that’s captivating everyone’s attention. Using our media server technology and LED cinema solutions, we are directly addressing the industry’s need for improved image quality, higher-quality audio, greater efficiency, greater flexibility, and consumer-focused experiences.

How is your company helping cinema operators evolve?

At GDC, we assist cinema operators in evolving by providing advanced LED cinema solutions and DCI-certified media servers that deliver premium visual experiences audiences can’t get at home. Our intelligent automation suite allows remote circuit management, lowering costs and reducing downtime. We transform auditoriums into flexible entertainment centers for concerts, esports, and events, boosting revenue throughout the year. With real-time monitoring and energy-efficient LED technology, we enable operators to deliver flawless performances, minimize their carbon footprint, and foster sustainable growth in a rapidly changing industry.

What makes your company or team unique?

At GDC, we’re truly proud of what makes us special: our strong dedication to dependability and nurturing long-lasting relationships. With over 25 years of experience in the industry, we go beyond simply selling technology—we invest in building meaningful connections with exhibitors all around the world. Our focus on customer needs drives innovative solutions that address real operational challenges, and our global presence means you always have local support. Above all, we are passionate movie-lovers ourselves, inspired by a genuine love for cinema. This blend of enterprise-strength reliability, personalized care, and shared enthusiasm for the big screen makes us more than just a vendor—we’re your trusted partner.

How long have you participated in CinemaCon, and what keeps you coming back?

At GDC, we’ve been proudly participating in CinemaCon for over ten years as key sponsors. What makes us feel so excited to return each year is the wonderful chance to connect face-to-face with our global cinema family. It’s a special place where we listen to exhibitors, learn about their changing needs, and reveal innovative solutions that help shape the future of movie exhibitions. Most importantly, CinemaCon is a joyful celebration of our shared love for the moviegoing experience. It’s a cherished tradition that reaffirms our dedication to supporting a lively and thriving cinema industry every year.

Where can members connect with GDC online?

LinkedIn: @GDCTechnologyLimited @TricornePremiumLED
Instagram @gdctechnology
Other linkedin: http://linkedin.com/company/gdc-technology @gdc-technology

June 2, 2026

CinemaCon June 2026 Vendor Spotlight: C. Cretors and Company

Interview with C. Cretors and Company

Headquarters: Wood Dale, IL

Interviewee: Shelly Olesen, Vice President Sales and Marketing

How would you describe C. Cretors and Company and its role in theatrical exhibition?

In 1893 Charles Cretors’ imagination led to an invention, the first commercial popcorn machine. That invention brought innovations that led to an industry. As a fifth-generation family-owned USA manufacturer, we’re proud we revolutionized the concessions industry and continue to lead in that space today Whether we’re inventing the popcorn machine or perfecting the hot dog grill, you can find our technical innovation in everything from food service equipment to food processing systems.

What’s new at your company this year?

C. Cretors and Company is celebrating its 140th year of innovation in popcorn and concession equipment throughout 2026. The company is commemorating the milestone with special events and initiatives, including an anniversary celebration held at its Wood Dale, Illinois headquarters in May 2026.

Did you launch or showcase anything new at CinemaCon 2026?

At CinemaCon 2026, we showcased several new innovations, including energy-saving induction-heated popcorn machines, self-serve dispensing technology, and a hot dog roller grill featuring patent-pending removable rollers designed for easier and more efficient cleaning.

How does your company engage with local communities – either near your headquarters or in partnership with cinema exhibitors across the country?

Cretors equipment can be found in more than 150 countries, reflecting the company’s reputation for reliable engineering and serviceability. To ensure customers get the most from their machines, Cretors offers hands-on factory technical training, onsite training, and even a Snack Foods Processing short course at Texas A&M. At its Wood Dale, Illinois headquarters, Cretors hosts factory tours and educational visits, providing local students and community groups with insight into food production, manufacturing, and entrepreneurship. These initiatives demonstrate Cretors’ commitment to both global partnerships and local community engagement.

How is your company helping cinema operators evolve?

We listen to their needs and help find solutions. Our success has always come from blending tradition with forward-thinking design. Honoring the past and engineering the future!

How long have you participated in CinemaCon, and what keeps you coming back?

Cretors has been exhibiting at CinemaCon since the first show in 2011. Prior to CinemaCon we exhibited at ShoWest starting in 1976, at Showrama in the late 1960’s and early 1970’s and the Theatre Owners of America convention starting in 1948. There is no better way to keep your thumb on the pulse of the industry.

Where can members connect with Cretors online?

LinkedIn https://www.linkedin.com/company/c.-cretors-&-co./
Instagram https://www.instagram.com/ccretorsandcompany/
Facebook https://www.facebook.com/Cretors1885

May 5, 2026

CinemaCon May 2026 Vendor Spotlight: Moving iMage Technologies

Interview with Moving iMage Technologies

Headquarters: Fountain Valley, CA

Interviewee: Francois Godfrey, President, Chief Operational Officer

How would you describe Moving iMage Technologies (MiT) and its role in theatrical exhibition?

Moving iMage Technologies manufactures, designs, and installs complete cinema presentation systems. We manufacture automation systems, dimmers, LED lighting, and projector pedestals, and as the owner of the DCS Digital Cinema Speaker line, we design scalable audio solutions built for Premium Large Format and immersive environments. Working alongside leading projection and technology partners, MiT delivers fully integrated systems engineered to perform.

What’s new at your company this year?

The defining milestone for MiT this year was the full asset acquisition of the DCS/Digital Cinema Speaker line from QSC. The transaction included inventory, manufacturing relationships, tooling, and global supply chain infrastructure. We have onboarded warehouses in California, the Netherlands, and China and are actively replenishing inventory to support the thousands of DCS installations worldwide. Our focus is to protect the installed base while positioning the brand for long-term growth in premium and immersive cinema environments.

Did you launch or showcase anything new at CinemaCon 2026?

CinemaCon 2026 marked the first official presentation of the DCS portfolio under MiT stewardship. We showcased the complete product family, including SC screen channels, SR surrounds, SB subwoofers, and RMS reference monitors, engineered to support everything from high-output Premium Large Format auditoriums to precision-driven 5.1 and 7.1 environments. These are the products you know, the performance you’ve heard, trusted worldwide, now backed by MiT’s focused commitment to cinema.

Is there a notable project, partnership, or installation involving a Cinema United member?

MiT recently upgraded four Alamo Drafthouse Cinema locations in Texas with Barco SP4K laser projectors, HDR by Barco, and Dolby Atmos immersive audio systems, along with integrated MiT solutions including projector pedestals, automation, and power conditioning.

How does your company engage with local communities – either where you’re headquartered or in partnership with cinema exhibitors across the country?

We support exhibitors by building long-term partnerships. Every circuit has its own goals and market pressures, so we work collaboratively to align technology decisions with their brand and business strategy. By working across leading projection, audio, and infrastructure partners, we give exhibitors flexibility while delivering systems they can rely on.

What industry trends are shaping your work right now?

Premium Large Format and immersive audio continue to drive investment across the industry. At the same time, many exhibitors are transitioning from xenon to laser projection and using remodel cycles, such as adding recliners or replacing seating, as an opportunity to upgrade audio systems as well. When an auditorium is already down for renovation, it often makes sense to elevate both picture and sound performance together. These modernization efforts reflect rising audience expectations for clarity, impact, and overall presentation quality.

What makes your company or team unique?

Cinema is a specialized business that requires specialized focus. We are large enough to meet the demands of modern exhibition, yet focused enough to remain anchored in cinema. Because our business is built around theatrical presentation, we stay aligned with the long-term needs of exhibitors rather than chasing adjacent markets. That focus allows us to support circuits with solutions designed specifically for cinema performance today and for the future.

How long have you participated in CinemaCon, and what keeps you coming back?

Moving iMage Technologies has participated in CinemaCon since our inception in 2003. CinemaCon remains the central gathering point for exhibition leadership, innovation, and partnership. It is where the industry aligns around its future, and it continues to be an essential platform for meaningful dialogue with exhibitors around the world.

Where can members connect with MiT online?

April 17, 2026

Watch: Matt Belloni Interviews Jon Favreau at CinemaCon 2026

April 14, 2026

TikTok and Cinema United Release New Report Focused On Platform’s Positive Impact on Moviegoing

Built By Fandom Report Finds that Sustained TikTok Engagement Consistently Predicts Stronger Box Office Holds Across Genres, Release Sizes, and Audience Types

LAS VEGAS (April 14, 2026) – TikTok and Cinema United today released Built By Fandom: How TikTok Audiences Are Powering Modern Theatrical Success, a new report examining how engagement on TikTok correlates with theatrical performance. Developed with box office data from Comscore, the report finds that TikTok activity is not just a measure of cultural buzz; it is a leading indicator of box office staying power.

“This report reinforces what we know to be true: that moviegoing is a cultural experience that resonates deeply with audiences,” says Michael O’Leary, President and CEO of Cinema United. “The data shows that when films connect with communities on TikTok, people come to theatres. That is good for our members, good for Main Streets around the world, and good for the movie industry.”

Across four films representing a deliberate cross-section of the modern theatrical landscape—The Housemaid, Sinners, Wicked: For Good, and Zootopia 2—the report identifies a consistent pattern: as TikTok engagement grew week-over-week, so did box office receipts. The findings hold across a thriller based on a best-selling book; a singular genre-bending film that weaves together culture, music, family, and the supernatural; the epic conclusion of a global cinematic cultural sensation; and a record-breaking animated feature sequel, strengthening the case that the dynamic is not genre-specific and the marketplace succeeds when there is something for everyone.

“This report underscores that fandom on TikTok isn’t just a cultural force; it’s a business driver. When audiences discover a film on the platform, they don’t just watch it—they participate, create, share, and show up in person,” says Dennis Papirowski, Global Head of Entertainment and News at TikTok. “Our global FilmTok community has a unique ability to mobilize that passion into real, measurable momentum, and we’re proud to partner with exhibitors and studios to keep translating that energy into audiences in seats.”

The results are striking. Sinners posted the best second-weekend hold of any wide release in 2025, dropping just 5%, following a 459% surge in TikTok posts during its first week and an additional 7% increase the next week. The Housemaid earned more in its second week than its first—a rare outcome—as TikTok activity rose 13%. Wicked: For Good peaked at nearly 60,000 TikTok posts per day, more than any other 2025 film measured. Zootopia 2 saw TikTok posts surge 163% in its second week, adding $58 million domestically as fan conversation continued to build long after opening weekend.

For exhibitors, the report offers something beyond marketing insight with actionable intelligence for programming decisions. By using TikTok momentum as an indicator, theatre operators gain an additional data point for hold decisions, identifying which films are building audiences beyond opening weekend.

The report also highlights TikTok’s role earlier in the funnel. According to surveys conducted by TikTok, nearly 50% of users say they have discovered a new movie on the platform. Of those, 42% looked up showtimes and 36% purchased a ticket, demonstrating TikTok’s ability to convert online engagement into real-world moviegoing.

Download the full report here.

About TikTok

TikTok is the leading destination for short-form mobile video. Our mission is to inspire creativity and bring joy. TikTok’s global headquarters are in Los Angeles and Singapore, and its offices include New York, London, Dublin, Paris, Berlin, Dubai, Jakarta, Seoul, and Tokyo.

About Cinema United

Founded in 1948, Cinema United is the largest exhibition trade organization in the world, representing more than 31,000 movie screens in all 50 states, and more than 30,000 screens in 80 countries worldwide. Its membership includes theatres of all sizes, from the largest cinema chains to one-screen theatres in cities and towns around the world. For additional information, please visit cinemaunited.org. Follow us on Instagram, LinkedIn and X/Twitter.

About CinemaCon

CinemaCon® attracts upwards of six thousand motion picture professionals from all facets of the industry – from exhibition and distribution to the equipment and concession areas – all on hand to celebrate the moviegoing experience and the cinema industry. The Coca-Cola Company and Barco are the official co-presenting sponsors of CinemaCon® 2026. For more information, visit cinemacon.com. Follow CinemaCon on Facebook, Instagram, X and TikTok.

April 14, 2026

Cinema United President and CEO Michael O’Leary Delivers State of the Industry At CinemaCon 2026

Address Focused on Key Themes of Unity, Industry Highlights, Innovation and Investment in Exhibition, Consolidation, and Theatrical Exclusivity

LAS VEGAS (APRIL 14, 2026) – Today, Cinema United President and CEO Michael O’Leary took to the Dolby Colosseum stage to deliver his annual State of the Industry address at CinemaCon 2026. O’Leary touted the current strength of the exhibition industry, including themes of unity and growing audience trends, while not shying away from issues concerning consolidation and theatrical exclusivity.

“Theatre owners work every day to make their cinemas special, from reinvesting in technology and infrastructure to special events,” said O’Leary, citing several examples of Cinema United members connecting with their communities. “And not surprisingly, audiences are responding.”

Highlighting theatrical exhibition as a Main Street industry, O’Leary emphasized the importance of moviegoing and its cultural and economic impact on communities throughout history. He reinforced the need for unity by spotlighting the newly announced Cinema United Filmmaker Leadership Council, saying that “this collaboration could not have come at a more crucial time, and I want to thank these world-class filmmakers and artists for their leadership and commitment to exhibition.”

Addressing consolidation, O’Leary reiterated Cinema United’s strong stance, stating: “Further concentrating marketplace power in the hands of a smaller group of distributors that dictate the terms, windows, scheduling, screen-placement of movies, and access to historic film catalogs will have a real and lasting impact on Main Street and millions of movie fans around the world.”

On theatrical exclusivity, O’Leary touted a change in attitude among distributors: “After six-plus years of theories and experiments devoted to proving that theatrical’s days have passed, there is a growing recognition of something we have always known—theatrical exhibition is the foundation upon which the entire entertainment industry rests, and that will never change.”

O’Leary pointed out that in 2025, the average theatrical window for the top 100 films was 37 days, representing a three-day increase over the previous year. He added that if those releases last year benefited from a minimum 45-day window, the overall average would have been a full two weeks longer at 49 days, emphasizing the critical nature of exclusive windows for theaters.

O’Leary concluded his speech by looking to the future: “If we work together, if we stay disciplined and focused on the future, I know that someone, fifty years from now, will stand on a stage like this, in an auditorium full of theatre operators to celebrate the wonder of our industry and chart a path for yet another century of movies on the big screen.”

About Cinema United

About CinemaCon

April 14, 2026

CinemaCon 2026 Daily Recap – Day One

The first day of CinemaCon kicked off with three Educational Programming Tracks for attendees.

The Audiences and Innovation track featured three panel discussions:

Boxoffice’s Daniel Loria moderated “Reclaiming Cultural Moments, Locally and Globally: Winning in an Era of Attention Warfare” with Fathom Entertainment’s Shannah Miller, Cinemark’s Laura Najlis, Cineplexx’s Christof Papousek, and Disney’s David Sieden. The panel stressed that exhibition holds advantages that no digital platform can touch: the collective electricity of shared in-person reactions, the sense of community that forms when strangers experience a story together, and the ritual of going to the movies that still carries cultural weight.

Paul Dergarabedian and Mike Polydoros moderated “Understanding 2026 Audiences: Gen Z and Emerging Trends” with GKIDS’ Chance Huskey and YouTube Content Creator Jeremy Jahns. The session provided exhibitors with actionable insights into 2026 moviegoing trends and what Gen Z audiences seek in entertainment.

“Optimizing the Cinema Experience: A Showcase of World Class Cinema Designs” was moderated by Cinema Association Australasia’s Cameron Mitchell, who was joined by Omniplex’s Paul John Anderson, Galaxy Cinemas’ Ms. Mai Hoa, and HOYTS’ Damian Keogh. The panel allowed exhibitors to showcase examples of best practice from their foyers, auditoriums, F&B outlets and cinema concepts.

The Food & Beverage track kicked off with “Building the Next Generation of Food & Beverage Leaders” with EF&B Association’s Dan Herrle, which explored new and effective ways to develop management teams and strengthen frontline performance. Next was “Now Showing: The Latest in Food & Beverage Innovation” with Cinemark’s David Haywood, Santikos’ Rob Lehman, and Marcus’ Rob Novak. The F&B track concluded with “Reimagining the Lobby & Concession Experience” featuring J& Snack Foods’ Dan Fachner, Mars Snacking’s Michael Kelly, and The Coca-Cola Company’s Josh Nations.

The Technology track boasted an impressive slate of panels. “Beyond the Screen: Immersive Tech Transforming Theaters” kicked things off with ICTA’s Jan Runge moderating and Dolby’s Michael Archer, Regal’s Matt Basford, Barco’s Carlo Rijsbrack, and GDC’s Annie Wang guiding a discussion about how advancements in imaging and sound technologies are redefining presentation quality and helping theaters stand out in a competitive market. “Practical AI for Streamlined Theater Operations” was led by UNIC’s Laura Houlgatte Abott and featured LOOK Cinemas’ Brian Schultz, The Boxoffice Company’s Marine Suttle, and Vue’s Otto Turton. The technology track ended with “Leveraging Technology to Engage with Audiences” moderated by The Boxoffice Company’s Stan Ruszkowski, Rokt’s Callum Donnelly, B&B’s Paul Farnsworth, Letterboxd’s Matt Kolowski, Google’s Eric Moro, and TikTok’s Dawn Yang.

The CinemaCon Film Showcase brought Angel, Sony Pictures Classics and STUDIOCANAL to the Dolby Colosseum stage. Angel touted a wide range of releases, but spent the most time on Young Washington, their historical epic opening on July 3. Sony Pictures Classics touted new films from Pedro Almodovar and David Wain, among others. STUDIOCANAL brought in Oscar-winning director Danny Boyle to talk about Ink, his new film about Rupert Murdoch.

To kick off the evening, Cineplex CEO Ellis Jacob received the Legend of Cinema award following heartfelt introductions from Michael O’Leary and Tom Rothman. O’Leary spoke about how supportive Ellis has been, and how he often to calls to check in without any requests or motives.

Finally, Sony closed out the evening with an excellent presentation that touted such promising upcoming blockbusters as Spider-Man: Brand New Day, Resident Evil, and Jumanji: Open World.

April 10, 2026

CinemaCon® Announces Its 2026 Big Screen Achievement Awards Honorees

LAS VEGAS (April 9, 2026) – CinemaCon^®, the world’s largest convention for the global cinema industry and the official convention of Cinema United, revealed today the honorees for the 2026 Big Screen Achievement Awards, taking place on April 16 at The Dolby Colosseum at Caesars Palace in Las Vegas. This year’s honorees are James Cameron (Cinema United Spirit of the Industry), Queen Latifah (Cultural Impact in Film), LaKeith Stanfield (Star of the Year), Adam Scott (Award of Excellence in Acting), Noah Centineo (Star of Tomorrow), and Catherine Laga’aia (Rising Star of 2026).

Designed to recognize the remarkable achievements of the extraordinary talent behind the movies made for the theatrical experience, the Big Screen Achievement Awards afford an opportunity for the global theatrical exhibition industry to show their gratitude to the performers and filmmakers who bring the magic of movies to their screens.

“Our industry is at its best when those in it come together to celebrate the power of seeing a movie on the big screen,” said Michael O’Leary, President and CEO of Cinema United. “This includes the incredibly talented people both in front of and behind the camera, whose work is at the heart of what makes the moviegoing experience so powerful and enduring. The films from this year’s honorees will undoubtedly capture the imaginations of audiences around the world, and we are proud to honor their achievements.”

The Big Screen Achievement Awards, hosted by CinemaCon’s official co-presenting sponsor The Coca-Cola Company, takes place at The Dolby Colosseum at Caesars Palace, and represent the finale to the world’s premier showcase of theatrical exhibition, CinemaCon. Hosting the awards this year will be Entertainment Tonight’s Nischelle Turner.

James Cameron’s upcoming film, Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D), opens in theaters on May 8, 2026 via Paramount Pictures. Captured during her sold-out world tour, the film brings an innovative new concert experience to the big screen from one of the most celebrated and successful artists of her generation. Presented in immersive 3D, the film is directed by Cameron and Billie Eilish.

Queen Latifah returns next year as the voice of Ellie in Ice Age: Boiling Point, due in theaters on February 5, 2027. A dinosaur-and-lava-filled madcap adventure, Ice Age: Boiling Point takes Manny, Sid, Diego, Ellie, Scrat and the rest of the herd to visit never-before-seen corners of the treacherous Lost World. Latifah is a GRAMMY^® Award-winning musician, Oscar^®-nominated actress, producer and entrepreneur with a career spanning music, film, and television. Since making her big screen debut in Spike Lee’s Jungle Fever, Latifah has delivered standout performances in such films as Set it Off, Living Out Loud, Chicago, Bringing Down the House, The Secret Life of Bees, Hairspray, Mad Money, The Last Holiday, Beauty Shop, Girls Trip and Miracles from Heaven — to name just a few. On the small screen, she received an Emmy Award nomination, Golden Globe win, and a SAG Award win for her role in Life Support. Other television credits include Living Single, Steel Magnolias and Bessie for which she received an Emmy Award nomination, Golden Globe nomination and a SAG Award. Most recently she led the hit CBS series The Equalizer.

LaKeith Stanfield can be seen next month starring in NEON’s I Love Boosters, releasing in theaters on May 22, 2026. Written and directed by Boots Riley (Sorry To Bother You), Stanfield stars opposite Keke Palmer, Naomi Ackie, Taylour Paige, Poppy Liu, Eiza González, Will Poulter, Don Cheadle, and Demi Moore in a film about a crew of professional shoplifters who take aim at a cutthroat fashion maven. An Academy Award nominee whose work spans film, television and music, Stanfield is best known for his work in Judas and the Black Messiah, Get Out, Sorry to Bother You, Knives Out, Uncut Gems, The Harder They Fall, Selma, and Snowden. On television he is widely known for his role in the FX series Atlanta.

Adam Scott stars in Hokum, NEON’s supernatural horror film arriving in theaters May 1, 2026. When novelist Ohm Bauman (Scott) retreats to a remote inn to scatter his parents’ ashes, he is consumed by tales of a witch haunting the honeymoon suite. Disturbing visions and a shocking disappearance force him to confront dark corners of his past. Widely known for his role in Step Brothers, Scott’s other film credits include Madame Web, The Secret Life of Walter Mitty, Black Mass, The Vicious Kind, Sleeping With Other People, Bachelorette, The Disaster Artist, Our Idiot Brother, Monster-In-Lay, Knocked Up, and The Aviator. Scott has earned Emmy, Golden Globe , Screen Actors Guild, Film Independent Spirit and Critics’ Choice Award nominations for his starring role in Apple TV’s Severance. Other notable small screen work includes Parks and Recreation, Big Little Lies, Party Down, and The Good Place.

Noah Centineo will star in Paramount Pictures’ Street Fighter, coming to theatres on October 16, 2026. Filmed for IMAX^®and set in 1993, Street Fighter is set to bring the battle from the arcade to the big screen with Hadoukens, roundhouses, and all your favorite characters. In addition to Street Fighter, Centineo is currently in production on John Rambo and will star in and produce the live-action Gundam. His additional film credits include Union County, Warfare, The Recruit and Black Adam. In 2023, Centineo founded Arkhum Productions alongside Enzo Marc producing such films as Our Hero, Balthazar and the upcoming Iconoclast, Meta, and Listen. Centineo rose to fame in the popular trilogy To All The Boys I’ve Loved Before and the series The Fosters.

Catherine Laga’aia will make her big screen debut in Moana, Disney’s live-action reimagining of the beloved Oscar^®-nominated animated adventure opening exclusively in theaters on July 10, 2026. Moana (Laga’aia)answers the Ocean’s call and, for the first time, voyages beyond the reef of her island of Motunui with the infamous demigod Maui (Dwayne Johnson) on an unforgettable journey to restore prosperity to her people. Prior to landing the role of Moana in a worldwide search, Laga’aia appeared in the limited series The Lost Flowers of Alice Hart and will next be seen in the 2027 the feature film thriller Crashout.

Approved press images for award honorees can be downloaded here.

About Cinema United

About CinemaCon

CinemaCon® attracts upwards of six thousand motion picture professionals from all facets of the industry – from exhibition and distribution to the equipment and concession areas – all on hand to celebrate the moviegoing experience and the cinema industry. The Coca-Cola Company and Barco are the official co-presenting sponsors of CinemaCon® 2026. For more information, visitcinemacon.com. Follow CinemaCon on Facebook, Instagram, X and TikTok.

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April 8, 2026

Cinema United Unveils Strategic Partnership with Leading Filmmakers

Filmmaker Leadership Council, led by Jerry Bruckheimer and Emma Thomas, to provide meaningful support for the theatrical experience

Acclaimed Directors Brad Bird, Ryan Coogler, Jason Reitman and Celine Song round out charter membership of the new Council

LOS ANGELES, CA – (April 8, 2026) – Cinema United, the world’s largest exhibition trade association representing more than 60,000 movie screens worldwide, announced today the formation of its Filmmaker Leadership Council, a strategic group of world-class filmmakers united in a single cause to champion the future of cinema worldwide. The council will be led by Oscar^®-nominated filmmaker Jerry Bruckheimer as Chair and Academy Award^® winner Emma Thomas as Vice Chair. In addition, Academy Award^® winner Ryan Coogler, two-time Oscar^® winner Brad Bird, four-time Oscar^® nominee Jason Reitman and Academy Award^® nominee Celine Song round out the charter membership of the inaugural Council. Bruckheimer and Thomas will be on hand at this year’s CinemaCon^®, held April 13-16 in Las Vegas, where they will appear in discussion with Cinema United President and CEO, Michael O’Leary, who today made the announcement. Additional members are soon to be announced.

“Our industry is strongest when it works together to promote the singular experience of seeing a movie on the big screen,” comments O’Leary. “That is what drives us—and it is what will forge the Next Great Era in Cinema. The importance of having Jerry and Emma at the helm of this initiative, at such a critical time for our industry, cannot be overstated. The insight, leadership, passion and impact from the entire leadership council is unparalleled, and we are honored to be working alongside all of them to secure the future of the theatrical experience for generations to come.”

The Cinema United Filmmaker Leadership Council will bring together some of the world’s most influential movie creators to work alongside Cinema United to provide vital feedback and recommendations on the most pressing issues facing theatrical exhibition today—including consolidation, sustainable windows, the promotion and marketing of the cinematic experience, and highlighting innovation and technology. Instrumental in the creation of the council is industry veteran and Cinema United senior consultant, Greg Foster, who will serve as Executive Director of the Filmmaker Leadership Council.

“Movies that captivate audiences and take their breath away—that’s why so many of us got into this business in the first place. There is nothing like that feeling of sitting in a dark theatre, the sound washing over you, watching something unfold on a massive screen that you simply cannot replicate anywhere else,” says Jerry Bruckheimer. “As filmmakers, we pour everything we have into creating those moments. We are at a defining point in the future of this industry, and I am honored to join this incredible group of filmmakers and work alongside Cinema United to ensure that experience endures—in cities and towns across the globe, for audiences everywhere.”

“There is a profound cultural value in gathering together with a group of strangers and connecting while experiencing something special on the big screen,” Emma Thomas reflects. “That shared moment—the laughter, the tears, the collective intake of breath—is irreplaceable. That is what this is about: making sure that cinemas of all sizes, around the world, can continue to present our stories in the best possible setting, so movie fans of all ages can enjoy them as they were intended to be seen.”

O’Leary adds: “On behalf of everyone in exhibition, I want to express our profound gratitude to this remarkable group of filmmakers for their commitment to this cause. We are excited to work together to ensure that local theatres continue to be cultural and economic anchors of their communities, and to preserve the unparalleled experience of a movie on the big screen for moviegoers everywhere.”

Jerry Bruckheimer is one of the most successful film and television producers of all time with a career that has spanned more than 50 years. His films, including the monumentally successful PIRATES OF THE CARIBBEAN, TOP GUN, NATIONAL TREASURE, BAD BOYS, and BEVERLY HILLS COP franchises, BLACK HAWK DOWN, PEARL HARBOR, REMEMBER THE TITANS, ARMAGEDDON, THE ROCK, CRIMSON TIDE, and FLASHDANCE, have collectively grossed nearly $15 billion at the global box office. Bruckheimer received an Academy Award^® nomination as producer on TOP GUN: MAVERICK (2022), which received six Oscar^® nominations including Best Motion Picture and won for Best Sound. The film became a box office phenomenon, grossing nearly $1.5 billion at the global box office. Bruckheimer most recently released F1: THE MOVIE for Warner Bros. and Apple Original Films, starring Brad Pitt. That film also went on to become a worldwide hit at the box office, earning more than $631 million globally to become the highest-grossing sports movie of all time. The film received four Academy Award^® nominations including Best Picture and won the Oscar^® for Best Sound.

An Academy Award^® winner for producing the global blockbuster phenomenon OPPENHEIMER, Emma Thomas is the co-founder of the production company, Syncopy, Inc. She is the co-producer, alongside Christopher Nolan, of films including MEMENTO, THE PRESTIGE, INCEPTION, THE DARK KNIGHT TRILOGY, INTERSTELLAR, DUNKIRK, TENET and the upcoming THE ODYSSEY for Universal Pictures. In addition to her Academy Award^® for OPPENHEIMER, Thomas is the winner of the BAFTA, Producers Guild, Golden Globe^® and Critics Choice Award. She was awarded a Damehood (DBE) by King Charles III in December 2024 at Buckingham Palace for her significant contributions to the film industry.

Ryan Coogleris a writer, director and producer. He wrote, directed and produced the feature SINNERS starring Michael B. Jordan, the highest grossing original feature of 2025, amassing over $365M globally. His groundbreaking film, BLACK PANTHER became the highest-grossing domestic release of 2018. Coogler also wrote and directed the hit sequel BLACK PANTHER: WAKANDA FOREVER, which was released in November 2022. Coogler’s additional directing credits include CREED and his critically acclaimed debut feature FRUITVALE STATION. He is the founder of production company Proximity Media, alongside partners Zinzi Coogler and Sev Ohanian. Proximity Media has produced SPACE JAM: A NEW LEGACY, which opened number one in the global box office in 2021; critically acclaimed JUDAS AND THE BLACK MESSIAH; and the box office hit CREED III, which grossed over $275 million worldwide, as well as docu-series HURRICANE KATRINA: RACE AGAINST TIME, which reached #1 on Hulu and is National Geographic’s most-watched series ever in the U.S.; Disney Streaming, Marvel limited event series IRON HEART; animated anthology series EYES OF WAKANDA and award-winning podcast “In Proximity.”

Oscar^® nominated writer-director Jason Reitman is known for directing acclaimed comedies like THANK YOU FOR SMOKING, JUNO, UP IN THE AIR, GHOSTBUSTERS: AFTERLIFE and SATURDAY NIGHT, and producing the films WHIPLASH and JENNIFER’S BODY. He is the producer of the hit show CASUAL and directed two episodes of THE OFFICE. His filmmaking career began at USC, where he created several short films which premiered at the Sundance Film Festival. During Covid, he directed a shot-for-shot remake of A PRINCESS BRIDE to raise money for World Central Kitchen. He is also the creator of the Live Read and was an artist-in-residence at LACMA as a result. Recently, Reitman led a group of thirty directors to purchase and save the historic Village Theater in Westwood. As a result, he is a member of Cinema United. Reitman has served on the National Board of the DGA and is currently a Governor in the Academy.

Brad Bird is a two-time Academy Award^®–winning writer and director known for his distinctive storytelling across animation and live action. He directed THE IRON GIANT (1999), now widely regarded as a modern classic, and went on to create THE INCREDIBLES (2004) and RATATOUILLE (2007), both of which earned him Academy Awards^® for Best Animated Feature. After attending the California Institute of the Arts on a Disney scholarship, Bird began his career as an animator at Disney at age 20. Moving into television, he contributed to the first eight seasons of THE SIMPSONS. He later transitioned to live action with MISSION: IMPOSSIBLE – GHOST PROTOCOL (2011), one of the most successful entries in the franchise, followed by the original science-fiction film TOMORROWLAND (2015). He returned to animation with INCREDIBLES 2 (2018), which became one of the highest-grossing animated films of all time. Known for blending emotional depth with large-scale storytelling, Bird continues to develop original work, including his upcoming film, RAY GUNN.

April 7, 2026

CinemaCon April 2026 Vendor Spotlight: Mobile Moviegoing

Interview with Mobile Moviegoing

Headquarters: Fairfield, CA

Interviewee: Corey Tocchini, CEO

How would you describe Mobile Moviegoing and its role in theatrical exhibition?

Mobile Moviegoing empowers exhibitors with a fully integrated digital platform that connects websites, mobile apps, ticketing, loyalty, subscriptions, and gift card commerce into one seamless revenue generating ecosystem. Built specifically for independent cinemas and drive-ins, we help operators modernize their digital presence, deepen guest relationships, and unlock new streams of recurring income. As a trusted technology partner to exhibition, Mobile Moviegoing helps theatres compete, grow, and thrive in an increasingly digital moviegoing landscape.

What’s new at your company this year?

Mobile Moviegoing is working with Cinergy to bring virtual NOC services into the Mobile Moviegoing exhibitor dashboard allowing exhibitors to monitor the real-time health of their operation. Key features include: System Health Monitoring, Asset Tracking, Performance Reporting, Key Delivery & Management, Content Monitoring, and more. Enhancements include Secure Remote Access, Ticketing & Knowledge Management, Preventative Maintenance, Business Intelligence Reporting, Lamp & Consumables Management, Warranty Tracking, and Command Station.

Are you launching or showcasing anything new at CinemaCon 2026?

Mobile Moviegoing Engage is a powerful built-in communication tool that enables exhibitors to send highly targeted, data-driven emails based on past visits, favorite genres, moviegoer spend, watchlisted titles, and more — ensuring every message is timely and personally relevant. The result is meaningful engagement and measurable revenue lift, as exhibitors connect with audiences using outreach that truly matters to them. Engage is fully included within the Mobile Moviegoing platform at no additional cost, while delivering industry-leading marketing capability in one seamless ecosystem.

What industry trends are shaping your work right now?

The theatrical exhibition industry is experiencing a true digital revolution, with moviegoers increasingly expecting mobile-first convenience, personalized communication, frictionless purchasing, and loyalty-driven experiences similar to other consumer sectors. Mobile Moviegoing is responding to this shift by equipping exhibitor partners with integrated tools that modernize their operations while strengthening direct relationships with audiences. Our mission is to ensure independent theatres and drive-ins can confidently leverage today’s technology to compete and grow — delivering solutions that are innovative, comprehensive, intentionally affordable, and designed to generate measurable revenue for the exhibitors we serve.

What makes your company or team unique?

Mobile Moviegoing stands apart because it was purpose-built for independent theatrical exhibition by a team deeply rooted in the cinema industry and committed to its long-term success. The platform combines specialized industry knowledge with a fully integrated system that unifies digital presence, guest engagement, loyalty, subscriptions, and revenue tools into one cohesive ecosystem. Just as important, the company’s hands-on partnership approach, affordable pricing model, and responsive U.S.-based support team ensure exhibitors receive not only powerful technology, but also practical guidance and ongoing collaboration that drive real operational and financial results.

How is your company helping cinema operators evolve?

Mobile Moviegoing is helping cinema operators evolve by transforming traditional theatre operations into connected, data-driven guest experiences that meet modern consumer expectations. Through integrated websites, mobile apps, loyalty and subscription programs, targeted engagement tools, and digital commerce solutions, exhibitors gain the ability to communicate directly with moviegoers, drive repeat attendance, and diversify revenue beyond the box office. By simplifying technology adoption and delivering an affordable, all-in-one platform, Mobile Moviegoing® empowers operators to adapt quickly, operate more efficiently, and position their cinemas for long-term growth in an increasingly digital marketplace.

How long have you participated in CinemaCon and what keeps you coming back?

I have participated in CinemaCon since its inception, and ShowWest prior to that. The visibility in the marketplace and the support we receive from the CinemaCon team keeps us coming back. We are in a results-based business and we have always had great results with our attendance at CinemaCon. We look forward to continuing our partnership with Cinema United and CinemaCon.

Where can members connect with Mobile Moviegoing online?