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Barco Joins The Coca-Cola Company As Official Co-Presenting Sponsor Of CinemaCon® 2026

New Partnership Marks the First of Its Kind for the Global Cinema Convention in Its Fifteen-Year History

LAS VEGAS (March 5, 2026) – Today, it was announced that Barco, a global leader in laser-powered cinema technology, is joining The Coca-Cola Company as an official presenting sponsor of this year’s CinemaCon®, the world’s largest convention for the global cinema industry and the official convention of Cinema United. This marks the first time since rebranding as CinemaCon in 2011 that the convention will have two official co-presenting sponsors.

In addition to becoming a co-presenting partner, Barco will sponsor the new Trade Show Networking Reception held on the first day of CinemaCon on Monday, April 13. Barco will also once again bring its award-winning laser projection to the Colosseum and trade show with an eye-catching exhibition suite and purpose-built HDR by Barco laser theatre in Roman Ballrooms 3 and 4 at Caesars Palace.

“This new level of partnership by Barco represents an exciting first for CinemaCon as the convention continues to grow and expand on a global scale,” says Michael O’Leary, President and CEO of Cinema United. “Barco continues to be an incredible partner of exhibition, and by choosing to join Coca-Cola as an official co-presenting sponsor, they are taking their commitment to the global theatrical experience to new heights. We look forward to their continued leadership and support in the years ahead.”

“We’re proud to expand our relationship with Cinema United as the new co-presenting partner at CinemaCon,” says Gerwin Damberg, Executive Vice President of Barco Cinema. “Cinema is one of the most powerful storytelling mediums in the world, and the theatrical experience remains the best way for audiences to discover and share those stories together. At Barco, our focus is on continuous innovation, from laser projection to next-generation premium experiences, like HDR by Barco, that helps filmmakers present their work in the most compelling way possible. But technology alone doesn’t create the magic of cinema. It’s the collaboration between filmmakers, studios, exhibitors, and technology partners that brings stories to life for audiences around the globe. CinemaCon is where our industry comes together each year to celebrate that collaboration, share ideas, and look ahead to the next chapter of the theatrical experience. We’re excited to join Coca-Cola in supporting this year’s convention and celebrating the enduring magic of movies on the big screen.”

Hosted by Cinema United, CinemaCon is the world’s premier showcase of theatrical exhibition, taking place April 13-16 at Caesars Palace in Las Vegas.

About Barco

Barco, headquartered in Kortrijk (Belgium), is a global technology company leading in visualization, networking, and collaboration solutions. Its innovative technologies drive advancements in the healthcare, enterprise, and entertainment markets. At the heart of Barco’s success are over 3,000 dedicated ‘visioneers’, each passionately contributing to driving change through technology. Listed on Euronext (BAR), Reuters (BARBt.BR), and Bloomberg (BAR BB), Barco realized sales of 964 million euro in 2025. For further insights, please visit www.barco.com or connect on LinkedIn, YouTube, Instagram, and Facebook.

Barco. Visioneering a bright tomorrow. © 2026

About Cinema United

Founded in 1948, Cinema United is the largest exhibition trade organization in the world, representing more than 31,000 movie screens in all 50 states, and more than 30,000 screens in 80 countries worldwide. Its membership includes theatres of all sizes, from the largest cinema chains to one-screen theatres in cities and towns around the world. For additional information, please visit cinemaunited.org. Follow us on Instagram, LinkedIn and X/Twitter.

Cinema United Re-affirms Concerns Around Consolidation

Comment from Michael O’Leary, President and CEO, Cinema United:

“We have been clear from the outset about our concerns around consolidation, and nothing that has occurred within the past 36 hours has changed that. Studio consolidation historically leads to fewer movies being made, and at this juncture, there is no reason to believe the outcome here will be any different. We continue to urge regulators to heed the lessons of the past.”

Press Coverage:

DEADLINE: Movie Theater Org Cinema United Remains Firmly Against Paramount-Warner Bros Merger & Warns About “Fewer Movies Being Made”

Ellis Jacob to Receive Legend of Cinema Award at CinemaCon® 2026

Pioneering CEO of Canada’s Largest Cinema Chain to be Recognized for Decades Long Leadership and Vision at the Forefront of the Global Exhibition Industry

Canadian Cinema Icon Becomes Second Recipient of Cinema United’s Most Prestigious Award Following Legendary Filmmaker Martin Scorsese

LOS ANGELES, CA – (Feb. 18, 2026) – Ellis Jacob, President and CEO of Canada’s leading entertainment and media company Cineplex, will receive the Legend of Cinema Award during opening night at this year’s CinemaCon. Michael O’Leary, President and CEO of Cinema United, announced today that Jacob will receive the organization’s most prestigious award, joining acclaimed filmmaker Martin Scorsese as the only two individuals to receive this recognition.

“Ellis has been a leader at the forefront of global exhibition for decades,” said O’Leary. “He has created an entertainment empire that cannot be matched and has been a tireless advocate on behalf of theatre owners around the world. He is a beloved figure who fully embodies the passion of our industry, and we are honored to be able to show our heartfelt appreciation in this way.”

Jacob served as Chair of Cinema United’s Executive Board from 2018-2020. In 2022, he received the CinemaCon Marque Award, which recognizes an exceptional executive within the industry whose strategic vision, leadership and business acumen elevates theatrical exhibition.

“No one has played a more central role in guiding our industry through the turbulence and uncertainty of the past years than Ellis,” added O’Leary. “His role in positioning exhibition for future success simply cannot be overstated. He has been a strong supporter of Cinema United and a valued mentor to me in my capacity as CEO. On behalf of the entire exhibition industry, we want to thank Ellis for everything he has done.”

Jacob, who will retire this year, became President and CEO of Cineplex in October 2003. He began working in the motion picture exhibition industry in 1987; since then, his passion and leadership has helped transform the moviegoing experience across Canada and beyond. With over 100 years of history in Canada, Cineplex is the fourth largest circuit in North America. Jacob’s visionary leadership has helped transform the company from a theatre chain into an exhibition, amusement and media giant that provides exceptional entertainment experiences for people of all ages. Prior to his current role, Jacob was President and CEO of Galaxy Entertainment Inc., which he co-founded in 1999.

“I am deeply honoured to receive the Legend of Cinema Award. I have spent my entire career believing in the power of moviegoing to bring people together. The theatrical experience has always held a unique place in our culture and I am truly humbled to be recognized with this award. I have been fortunate to work with inspiring partners across the exhibition community who share a commitment to ensuring that cinemas continue to thrive,” said Ellis Jacob, President and CEO, Cineplex.

The Legend of Cinema Award recognizes those individuals who have dedicated their careers to preserving and elevating the unparalleled magic of the shared theatrical experience. Their dedication to moviegoing underscores the crucial role cinemas play as cultural landmarks and economic drivers in communities around the world.

CinemaCon, the official convention of Cinema United and the world’s largest gathering of theatrical exhibitors, will run from April 13-16 at Caesars Palace in Las Vegas.

ABOUT CINEMA UNITED

Founded in 1948, Cinema United is the largest exhibition trade organization in the world, representing more than 31,000 movie screens in all 50 states, and more than 30,000 screens in 80 countries worldwide. Its membership includes theatres of all sizes, from the largest cinema chains to one-screen theatres in cities and towns around the world. For additional information, please visit cinemaunited.org. Follow us on Instagram, LinkedIn and X.

ABOUT CINEMACON

CinemaCon attracts upwards of 6,000 motion picture professionals from all facets of the industry – from exhibition and distribution to the equipment and concession areas – all on hand to celebrate the moviegoing experience and the cinema industry. The Coca-Cola Company – one of the industry’s most highly regarded and respected partners in the world of movies – is the official presenting sponsor of CinemaCon. For more information, visit cinemacon.com. Follow CinemaCon on Facebook, Instagram, X and TikTok.

Angel, Row K Entertainment and STUDIOCANAL To Take The Main Stage For Inaugural “CinemaCon® Film Showcase”

BRAND NEW PROGRAM SPOTLIGHTS IMPORTANCE OF DIVERSE STORIES FROM KEY PARTNERS OF THE GLOBAL EXHIBITION COMMUNITY

“CINEMACON® FILM SHOWCASE” WILL BE HELD AT THE COLOSSEUM IN CAESARS PALACE MONDAY AFTERNOON ON APRIL 13

LAS VEGAS – Feb. 12, 2026 – CinemaCon®, the world’s largest convention for the global cinema industry and the official convention of Cinema United, announced today that it will host a Monday afternoon program for the first time in the Colosseum at Caesars Palace, titled the “CinemaCon® Film Showcase.” The presentation on April 13 will feature Angel, Row K Entertainment and STUDIOCANAL, all three of which will showcase exciting new films from their upcoming theatrical slates to the global exhibition community.

“As a global industry that depends on a diverse pipeline of movies from a wide array of distribution partners, we are incredibly excited to welcome Angel, Row K Entertainment and STUDIOCANAL to be part of this important new program on Monday afternoon,” said Michael O’Leary, President and CEO of Cinema United. “Movie theatres around the world in cities and towns of all sizes rely upon these movies 52 weeks out of the year. They are essential to our industry, and by shining a light on these companies, we celebrate their importance in bringing great movies to fans of all ages across the globe.”

CEO of STUDIOCANAL, Chief Content Officer of CANAL+ Anna Marsh commented: “We are thrilled to be part of CinemaCon 2026 and to take part in this inaugural film showcase. Presenting our slate at The Colosseum and connecting with the exhibition community is a very special moment for STUDIOCANAL and the Canal+ group. We remain firmly committed to films made for the big screen, and we thank Michael O’Leary and his team for providing such an important platform to highlight the creativity, ambition and investment behind bringing great stories to cinemas across the globe.”

“Theaters thrive when audiences have options,” said Executive Vice President and Head of Theatrical at Angel, Brandon Purdie. “Angel is committed to bringing audiences a bold, varied slate of films. We’re proud to stand with Cinema United, CinemaCon, and our partners in exhibition as we redefine the future of theatrical moviegoing together.”

“CinemaCon is a powerful reminder that the theatrical experience remains the heartbeat of our industry, bringing audiences together in a way no other medium can,” said Row K Co-Chairmen Christopher Woodrow and Raj Singh. “Row K was built around the belief that great films deserve to be experienced on the big screen, and we’re proud to join Angel and STUDIOCANAL to showcase a slate designed to deliver bold storytelling, unforgettable performances, and the kind of communal moviegoing moments that only theaters can provide.”

Hosted by Cinema United, CinemaCon is the world’s premier showcase of theatrical exhibition, taking place April 13-16 at Caesars Palace in Las Vegas.

About Angel

Angel (NYSE: ANGX) is a media and technology company guided by two million grassroots Angel Guild paying members championing values-driven stories. The company is one of the most disruptive forces in entertainment, bringing audience-powered films to theaters worldwide. With theatrical hits such as Solo Mio, DAVID, Sound of Freedom, Homestead, and The King of Kings, Angel has proven that stories chosen by the audience, for the audience, resonate on a massive scale. Angel is committed to working hand-in-hand with exhibitors, recognizing their vital role in delivering powerful, uplifting stories to audiences everywhere. The company invites theater owners to be part of shaping the future of cinema. For more information, visit www.angel.com.

About Row K Entertainment

Row K Entertainment (“Row K”) is a U.S. theatrical distribution company built to meet the growing demands of the modern film marketplace. The company focuses on wide-release, star-driven, and prestige-filmmaker-led films with global appeal. Named for the seat often considered the best view in the theater, Row K is dedicated to elevating the cinematic experience for audiences worldwide. CAA Media Finance, which helped ideate Row K, serves as an advisory partner to the company. Row K is a subsidiary of Media Capital Technologies, a leading entertainment investment company.    

Launched in 2025, Row K has quickly established itself as a force in distribution with a breakout debut year marked by several high-profile festival acquisitions. The company’s 2026 slate includes Dead Man’s Wire, directed by Gus Van Sant and starring Bill Skarsgård, Dacre Montgomery, Cary Elwes, Myha’la, Colman Domingo, and Al Pacino, which opened in January; Poetic License, the directorial debut of Maude Apatow and starring Leslie Mann, Cooper Hoffman, Andrew Barth Feldman, Nico Parker, and Cliff “Method Man” Smith; Cliffhanger, directed by Jaume Collet-Serra and starring Pierce Brosnan and Lily James; and Charlie Harper, directed by Tom Dean and Mac Eldridge and starring Nick Robinson and Emilia Jones. 

About STUDIOCANAL

STUDIOCANAL, CANAL+’s in-house studio, is Europe’s leading film and television studio, with worldwide production and distribution capabilities. It operates directly in nine major European markets including Austria, Benelux, Denmark, France, Germany, Ireland, Poland, Spain and the United Kingdom, as well as in Australia and New Zealand, and offices in the United States and China. STUDIOCANAL finances, produces, and distributes 200 films per year. It owns one of the most prestigious catalogues in the world and the largest catalogue of European titles, boasting more than 9 400 titles from 60 countries. With a catalogue spanning 100 years of film history, STUDIOCANAL has invested close to 25 million euros into the 4K restoration of nearly 1 000 classic feature films over the past 7 years.

STUDIOCANAL also produces over 15 series each year, including local creations and premium international co-productions, and distributes its scripted productions and CANAL+ Originals globally (2,000 hours of current and library content in distribution). Projects are produced in-house by STUDIOCANAL or through its worldwide network of production companies, including 2e Bureau, Flab, Kissman, and Grands Ducs Films in France; Birdie Pictures, Urban Myth Films, Strong Film & Television, Sunny March TV and Brock Media in the UK; Bambú Producciones and Te Espero en Marte in Spain; Lailaps Films and STUDIOCANAL Series in Germany; Opus TV in Poland; Sam Productions in Denmark; Dingie in Belgium; and The Picture Company in the United States.

About Cinema United

Founded in 1948, Cinema United is the largest exhibition trade organization in the world, representing more than 31,000 movie screens in all 50 states, and more than 30,000 screens in 80 countries worldwide. Its membership includes theatres of all sizes, from the largest cinema chains to one-screen theatres in cities and towns around the world. For additional information, please visit cinemaunited.org. Follow us on Instagram, LinkedIn and X.

About CinemaCon

CinemaCon attracts upwards of six thousand motion picture professionals from all facets of the industry – from exhibition and distribution to the equipment and concession areas – all on hand to celebrate the moviegoing experience and the cinema industry. CinemaCon works with the International Cinema Technology Association (ICTA) and National Association of Concessionaires (NAC) as its trade show partners. The Coca-Cola Company – one of the industry’s most highly regarded and respected partners in the world of movies – is the official presenting sponsor of CinemaCon. For more information, visit cinemacon.com. Follow CinemaCon on Facebook, Instagram, X and TikTok.

Cinema United Issues Statement for the Record for Senate Judiciary Subcommittee on Antitrust, Competition Policy & Consumer Rights

WASHINGTON, D.C. –  (Feb. 3, 2026) – Today, Cinema United, the world’s largest exhibition trade association representing more than 31,000 movie screens across all 50 states and over 30,000 additional screens in 80 countries worldwide, submitted written testimony to the Senate Judiciary Subcommittee on Antitrust, Competition Policy & Consumer Rights on the potential harm caused by the proposed acquisition of the iconic Warner Bros. studio.

In the statement, Cinema United advocated: “We are deeply concerned that this acquisition of Warner Bros. by Netflix will have a direct and irreversible negative impact on movie theatres around the world. Such an acquisition will further consolidate control over production and distribution of motion pictures in the hands of a single, dominant, global streaming platform in a market that is already highly concentrated. The impact will not only be felt by theatre owners, but by movie fans and surrounding businesses in communities of all sizes.”

Cinema United extended its concerns of the proposed Warner Bros. merger beyond Netflix, adding: “If Paramount or another major studio ends up displacing Netflix as the buyer, our concerns are no less serious. A combination of Paramount and Warner Bros., for instance, would consolidate as much as 40% of each year’s domestic box office in the hands of a single dominant studio.”

The statement outlined four primary harms to the industry caused by consolidation, namely, Fewer Movies Produced for Theatrical Exhibition, Increased Marketplace Leverage for Studios vis-à-vis Theatre Owners, Reduced Diversity of Films for Movie Fans, and Job Losses Across the Entertainment Industry and in Communities Worldwide.

“The key to a successful industry overall is having a diverse, robust, and consistent product pipeline that responds to consumer demand. The number of films being produced for theatrical exhibition is slowly returning to pre-2019 levels. However, that growth is threatened by further consolidation. At best, an acquisition of Warner Bros. will stall the growth we have seen in the last four years. More realistically, however, it will result in a significant reduction of theatrical releases.”

The statement concluded: “We must heed the lessons of the past: further industry consolidation has consistently led to fewer movies being made, and there is no reason whatsoever to believe the outcome here would be any different, particularly given Netflix’s stated views of movie theatres over the past decade-plus.”

For a PDF copy of the full statement, click here.

ABOUT CINEMA UNITED

Founded in 1948, Cinema United is the largest exhibition trade organization in the world, representing 31,000 movie screens in all 50 U.S. states and Canada, with an additional more than 30,000 screens in 80 countries. Its membership includes theatres of all sizes, from the largest cinema chains to one-screen theatres in cities and towns around the world. For additional information, please visit cinemaunited.org.

Cinema United Applauds National Film Registry Selections

Cinema United is applauding the induction of 25 new films into the National Film Registry, overseen by the Library of Congress.

Created by Congress, the National Film Registry highlights America’s movie history and the need to preserve our cinematic heritage for future generations. Each year, films are selected based on their cultural, historic or aesthetic importance, and must be at least ten years old. 

Cinema United is represented on the Library’s National Film Preservation Board by Cinema United President & CEO Michael O’Leary and Cinema United New York President Joe Masher.

“Movies have always shaped our culture, with tens of millions of Americans going to the cinema on a regular basis,” says Cinema United CEO & President and National Film Preservation Board Member Michael O’Leary. “It’s a true honor to support the Library of Congress and the Librarian in their important work preserving influential cinematic experiences. The wide-ranging selections, representing stories with universal themes that connect people everywhere, will inspire classic programming at theatres large and small across the country.”

“Moviegoing is part of the American social fabric,” says Cinema United New York President and National Film Preservation Board Member Joe Masher. “Cinemas dotting cities and towns across Main Street America are important places where many of us had our first jobs, our first dates, our first family outings, our first community experiences. With classic films bigger than ever in cinemas, we are grateful to the passionate work of the Library of Congress and the Librarian for their exciting additions to the National Film Registry, introducing new audiences to great movies on the big screen the way they were meant to be seen.”

The selections for 2025 bring the number of titles in the registry to 925. Some of the film titles are among the 2 million moving image collection items held in the Library of Congress. Others are preserved in coordination with copyright holders or other film archives.

Films Selected for the 2025 National Film Registry:

(chronological order)

  • The Tramp and the Dog (1896)
  • The Oath of the Sword (1914)
  • The Maid of McMillan (1916)
  • The Lady (1925)
  • Sparrows (1926)
  • Ten Nights in a Barroom (1926)
  • White Christmas (1954)
  • High Society (1956)
  • Brooklyn Bridge (1981)
  • Say Amen, Somebody (1982)
  • The Thing (1982)
  • The Big Chill (1983)
  • The Karate Kid (1984)
  • Glory (1989)
  • Philadelphia (1993)
  • Before Sunrise (1995)
  • Clueless (1995)
  • The Truman Show (1998)
  • Frida (2002)
  • The Hours (2002)
  • The Incredibles (2004)
  • The Wrecking Crew (2008)
  • Inception (2010)
  • The Loving Story (2011)
  • The Grand Budapest Hotel (2014)

Cinema United Opposes Proposed Acquisition Of Legendary Hollywood Studio Warner Bros.

Fewer Movies and Lack of Meaningful Commitment to Theatrical Exhibition will Hurt Consumers, Theatre Owners, and the Entertainment Industry around the Globe

WASHINGTON, D.C. – Dec. 5, 2025 – Cinema United, the world’s largest exhibition trade association which represents over 30,000 movie screens in all 50 states, with an additional 26,000 screens internationally, announced today their opposition to the proposed acquisition of Warner Bros. Discovery by Netflix.

“The proposed acquisition of Warner Bros. by Netflix poses an unprecedented threat to the global exhibition business. The negative impact of this acquisition will impact theatres from the biggest circuits to one-screen independents in small towns in the United States and around the world,” said Cinema United President and CEO Michael O’Leary. “Cinema United stands ready to support industry changes that lead to increased movie production and give consumers more opportunities to enjoy a day at the local theatre. But Netflix’s stated business model does not support theatrical exhibition. In fact, it is the opposite. Regulators must look closely at the specifics of this proposed transaction and understand the negative impact it will have on consumers, exhibition and the entertainment industry.”

This mega-deal between Netflix and Warner Bros. would risk removing 25% of the annual domestic box office if films that are traditionally given a robust theatrical release by Warner Bros. disappear from theatres. Netflix currently grants only a handful of their films a token theatrical release and the overwhelming majority of Netflix titles go straight to their platform.

“Netflix success is television, not movies on the big screen. A true commitment to theatrical means a robust slate of movies with a meaningful period of theatrical exclusivity supported by marketing. Sporadic and truncated theatrical releases to meet awards criteria in a handful of theatres is not a commitment to exhibition.” O’Leary added. “Movie theatres are cultural and economic anchors of communities of all sizes – we are a Main Street industry. Research shows that for each dollar spent in a local movie theatre, an additional $1.50 is spent in surrounding businesses in the community—restaurants, bars, shopping centers, transportation. That is what is at risk here if we sanction fewer movies in the marketplace. Theatres will close, communities will suffer, jobs will be lost.”

ABOUT CINEMA UNITED

Founded in 1948, Cinema United is the largest exhibition trade organization in the world, representing more than 31,000 movie screens in all 50 U.S. states and Canada, with an additional more than 30,000 screens in 80 countries. Its membership includes theatres of all sizes, from the largest cinema chains to one-screen theatres in cities and towns around the world. For additional information, please visit cinemaunited.org.

CinemaCon Vendor Spotlight Launches with Gold Medal

Cinema United is proud to introduce a new series designed to celebrate the partners who help theatrical exhibition thrive: the CinemaCon Vendor Spotlight, presented by Cinema United. This new program shines a light on the companies whose innovation, service, and long-standing commitment power the moviegoing experience on the show floor at CinemaCon and in cinemas around the world.

We’re excited to kick off the series by spotlighting Gold Medal Products Company, a global leader in concession equipment and supplies and a dedicated supporter of the cinema business since 1931.

Read the full spotlight here: https://www.cinemacon.com/en/gold-medal-vendor-spotlight

Cinema United Attends UNIC Cinema Days

[Left to Right: UNIC’s Laura Houlgatte, Cinema United’s Erin Von Hoetzendorff, UNIC and UK Cinema Association’s Phil Clapp]

Cinema United’s Director of Membership and Global Affairs Erin Von Hoetzendorff attended UNIC Cinema Days 2025 in Brussels on November 20 and 21.

The opening day offered a broad overview of key industry themes, and it include UNIC Women’s Cinema Leadership Programme session, which spotlighted professional development, leadership pathways, and the importance of diverse voices shaping the future of exhibition. The day also featured several panels and presentations on the state of cinema in Europe, emerging issues, and strategic opportunities that align closely with Cinema United’s own priorities, including training, accessibility, sustainability.

The second day featured Technology Lab sessions, which explored cinema technology lifecycles, cybersecurity, operational efficiency, PLF innovations, and future-focused technical infrastructure. UNIC produced a truly outstanding event, and Cinema United appreciated the chance to connect with so many of our international members and partners. Events like this strength relationships and created a deeper alignment with the global exhibition community.

Cinema United Attends Regional Cinema Leaders’ Meetings in Pennsylvania and Massachusetts

[Left to right: Lou DiGioia, Penn Ketchum, Michael O’Leary, and Gina Taffet]

Cinema United’s President & CEO Michael O’Leary and COO Lou DiGioia recently attended two regional gatherings where cinema owners and operators were able to come together to discuss the future of exhibition.

Cinema United of Pennsylvania, which has been led by President Gina Taffet since 2005, hosted their annual meeting at Penn Ketchum‘s Penn Cinema in Lititz, Pennsylvania on October 22. The day was filled with reports on legislative issues, technology, and a presentation by O’Leary focused on the current state of exhibition as we head into what will be a massive holiday season at the box office. Cinema operators from around the state also gave presentations on how to creatively market theatres. Thank you to the Pennsylvania Cinema United Board: Dave Castilli of Circle Drive-in, Shelbi Gutowski and David Phillips of RC Cinemas, Frank Moses of Golden Star Theatres, Bruce Taffet of Taffet & Associates, LLC, Melissa Rohrbach of Cinemark, Jason Buckland of Marcus Theatres, Drew Sheaffer of Penn Cinemas, and Ed Troll of Richland Cinemas for putting on a great event.

[Left to right: John Vincent, Michael O’Leary, Doug Murdoch, and Lou DiGioia]

Theatre Owners of New England United and the Connecticut Association of Theatre Owners met on October 28 & 29 at Regal’s Bellingham, Massachusetts location. The two days featured studio presentations from Sony and Disney, a speech by O’Leary, and a presentation on concessions by the Entertainment Food & Beverage Association’s Dan Herrle. A special thank you to Executive Director John Vincent and President Harold Blank from Theatre Owners of New England United and Doug Murdoch from the Connecticut Association of Theatre Owners for organizing the event.

Cinema United
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